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Diary of the Dead
News - News
Written by deeopey   
Friday, 16 May 2008
17921646264708c6fe7d746Only a few short months ago this appeared in the cinema and quick as a flash disappeared again.  There were a rash of reviews packed with disclaimers that the reviewer was the biggest Romero fan, but...

It got trashed, released a month after Cloverfield (I promise that's the only mention of it) the video documentary approach was apparently entirely passe.  Everyone had had their fill of shaky-cam and Abrams was apparently its master, Romero the low-budget copycat.

Romero has had his fair share of weaker moments, Land of the Dead attempted to cross his zombie credentials with a big-budget blockbuster sensibility.  The cracks showed and the zombie apocalypse was no longer scary, it was like a hoard of locusts, unwavering consumption gone mad, but without the menace.  His metaphors for the Bush administration and society were confused, there was a core of a good film but it was dragged down by silly details.

In Diary any studio obligations are gone, Romero has gone right back to basics.  Was it this unbridled energy that was too much for the audience's in February?

 

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Alfred Hitchcock Collection: Part 3
News - News
Written by deeopey   
Thursday, 08 May 2008

vertigo I’m slowly making progress through this huge boxset so here's another few films ready for review.  This time it’s The Man Who Knew Too Much, Vertigo, and Psycho.

Vertigo and Psycho are often seen as Hitchcock's creative peak, while The Man Who Knew Too Much is actually a remake of his own 1934 film.  Commercially this was also a very successful time for Hitchcock.  The Alfred Hitchcock Presents television program had begun in 1955 and had helped make Hitchcock a famous brand of his own.  Rear Window and To Catch a Thief had also helped cement his commercial appeal.

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In Bruges
News - News
Written by deeopey   
Tuesday, 29 April 2008

brugesposter2-smallSomething about hitmen makes them ideal cinematic fodder.  Between Martin Blank and Leon is a whole range of characters that choose to kill for money.  Sometimes there callous thugs who derive far too much please from there occupation or as the examples given above just treat it as nothing more than an occupation to rid the world of people that kind of deserved it anyway.

 

Colin Farrell and Brendan Gleeson play Ray and Ken a pair of hitmen that are sent to Bruges to go under the radar after completing a job in London.  While Ken is relishing the chance to absorb some culture Ray is keen return to civilisation and get out of "this shithole".  This is no simple mismatch buddy comedy and certainly not the guff action flick I was expecting, but the blackest of black un-pc comedy dissertation on life seen for a while.

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Son of Rambow
News - News
Written by deeopey   
Friday, 25 April 2008

son_of_rambowMemory's a funny thing.  Especially when it comes to your childhood, all of a sudden what was mundane at the time is extraordinary Technicolor today, much more than that though are the things that seemed wonderful and exciting you now never pay a second glance.  Son of Rambow takes you back to an 80's high school in the UK and I'm pretty sure it was exactly like this.

 

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Femina Ridens out on DVD!
REVIEWS - DVD Reviews
Written by kurtodrome   
Saturday, 12 April 2008

Femina Ridens (image: Xploited Cinema)Generally it's only our own thoughts that make it to the frontpage, but traditions are there to be broken every now and then. And this sounds like a good opportunity to do so: Shameless Screen Entertainment are a UK company who release DVDs. This week (April 14) they'll release Femina Ridens a.k.a. The Frightened Woman. Which happens to be one of my favourite 60s Italian cult movies. Or maybe even movies in general. So now I'll hand over the mic (or keyboard) to Shameless...

Shameless Screen Entertainment is proud to announce that their 14th April DVD release of The Frightened Woman (aka Femina Ridens) has been approved by Piero Schivazappa, the director of the film.Witness the ultimate subjugation of a woman to serve the most twisted desires of man in the achingly hip ‘n’ horny Femina Ridens, where the kinkiest urges are played to a deadly conclusion… 

The beautifully sensuous Dagmar Lassander stars as Maria, the living sex toy of Dr Sayer (Philippe Leroy) who delights in killing women at the point of orgasm. Sayer’s prolonged campaign of degradation pushes Maria right to the edge of death but the spell she casts on him will lead to the most extraordinary climax of a lifetime!
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