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News -
News
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Written by deeopey
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Friday, 16 May 2008 |
Only a few short months ago this appeared in the cinema and quick as a flash disappeared again. There were a rash of reviews packed with disclaimers that the reviewer was the biggest Romero fan, but...
It got trashed, released a month after Cloverfield (I promise that's the only mention of it) the video documentary approach was apparently entirely passe. Everyone had had their fill of shaky-cam and Abrams was apparently its master, Romero the low-budget copycat.
Romero has had his fair share of weaker moments, Land of the Dead attempted to cross his zombie credentials with a big-budget blockbuster sensibility. The cracks showed and the zombie apocalypse was no longer scary, it was like a hoard of locusts, unwavering consumption gone mad, but without the menace. His metaphors for the Bush administration and society were confused, there was a core of a good film but it was dragged down by silly details.
In Diary any studio obligations are gone, Romero has gone right back to basics. Was it this unbridled energy that was too much for the audience's in February?
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Alfred Hitchcock Collection: Part 3 |
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News -
News
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Written by deeopey
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Thursday, 08 May 2008 |
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I’m slowly making progress through this huge boxset so here's another few films ready for review. This time it’s The Man Who Knew Too Much, Vertigo, and Psycho.
Vertigo and Psycho are often seen as Hitchcock's creative peak, while The Man Who Knew Too Much is actually a remake of his own 1934 film. Commercially this was also a very successful time for Hitchcock. The Alfred Hitchcock Presents television program had begun in 1955 and had helped make Hitchcock a famous brand of his own. Rear Window and To Catch a Thief had also helped cement his commercial appeal.
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News -
News
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Written by deeopey
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Tuesday, 29 April 2008 |
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Something about hitmen makes them ideal cinematic
fodder. Between Martin Blank and Leon is a whole range of characters that
choose to kill for money. Sometimes there callous thugs who derive far too much
please from there occupation or as the examples given above just treat it as
nothing more than an occupation to rid the world of people that kind of deserved
it anyway.
Colin Farrell and Brendan Gleeson play Ray and Ken a
pair of hitmen that are sent to Bruges to go under the radar after completing a job in
London. While
Ken is relishing the chance to absorb some culture Ray is keen return to
civilisation and get out of "this shithole". This is no simple mismatch buddy
comedy and certainly not the guff action flick I was expecting, but the blackest
of black un-pc comedy dissertation on life seen for a while.
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News -
News
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Written by deeopey
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Friday, 25 April 2008 |
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Memory's a funny thing. Especially when it comes to your childhood, all of a sudden what was mundane at the time is extraordinary Technicolor today, much more than that though are the things that seemed wonderful and exciting you now never pay a second glance. Son of Rambow takes you back to an 80's high school in the UK and I'm pretty sure it was exactly like this.
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Femina Ridens out on DVD! |
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REVIEWS -
DVD Reviews
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Written by kurtodrome
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Saturday, 12 April 2008 |
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Generally it's only our own thoughts that make it to the frontpage, but traditions are there to be broken every now and then. And this sounds like a good opportunity to do so: Shameless Screen Entertainment are a UK company who release DVDs. This week (April 14) they'll release Femina Ridens a.k.a. The Frightened Woman. Which happens to be one of my favourite 60s Italian cult movies. Or maybe even movies in general. So now I'll hand over the mic (or keyboard) to Shameless...
Shameless Screen Entertainment
is proud to announce that their 14th April DVD release of The
Frightened Woman (aka Femina Ridens) has been approved by Piero
Schivazappa, the director of the film.Witness the ultimate subjugation
of a woman to serve the most twisted desires of man in the achingly hip
‘n’ horny Femina Ridens, where the kinkiest urges are played to a
deadly conclusion…
The beautifully sensuous Dagmar Lassander stars as Maria, the living
sex toy of Dr Sayer (Philippe Leroy) who delights in killing women at
the point of orgasm. Sayer’s prolonged campaign of degradation pushes
Maria right to the edge of death but the spell she casts on him will
lead to the most extraordinary climax of a lifetime!
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